Discussion with spoilers
The poor structure of the novel made a good adaptation impossible
Retrospective
At its core, the early 2000s queer drama is about community
List
The Academy has consistently undervalued comedies and thrillers
Event Report
At the first screening of the Cambridge Palestinian Culture series, Anna Geary explores how Spaces of Exception evolves with the present, as told by co-director Malek Rasamny
Interview
Alex Brian meets the organisers of two of Cambridge’s queer film nights
Watchlist
Your relationship status might be ‘it’s complicated’ but choosing a film doesn’t have to be
Opinion
From May Balls and awful supervisors, Patrick Dolan assesses how accurate Saltburn really was
Interview
Olivia Townsend talks to the young talents behind a Brooklyn-based, all-female, all-queer filmmaking team
Interview
Isaac Jackson sits down with the Oscar-winning filmmaker, this year’s recipient of the Cambridge Film Festival’s award for Outstanding Achievement in Cinema
Cathryn Kirk is dreading this tidal wave of ‘buy’opics and, frankly, it’s making her a (t)ad nauseous
Head to head
Katie Burge and Josh Nathan face off about the importance of film critics’ opinions
J. Fardon lauds Stop Making Sense as the greatest concert film of all time
Guide
A comprehensive rundown of each Cambridge cinema
Opinion
She was Fleabag before Fleabag existed… and she stands the test of time
Review
Sam Allen praises the first two seasons of the 13 time Emmy-nominated drama series
Opinion
Min-Kyoo Kim considers the ethical implications of representing nuclear fallout in Christopher Nolan’s latest film
Interview
Sam Allen speaks to the director and star of this charming documentary, as they discuss business, books, and building community
Opinion
HBO’s acclaimed comedy-drama has come to an end – our writers reminisce on its final episode and consider the cultural impact of the show as a whole
Review
Heidi Atkins lauds Kelly Fremon-Craig’s poignant coming-of-age story
Review
Léa Seydoux turns in a career-best performance in this unassuming, yet heartfelt family drama
Our appetite for film and TV is as large as ever, so why do none of us know what’s going on?
Opinion
Getting bored of seeing Timothée Chalamet in every film ever? Fed up of Hugh Grant’s bumbling ums and ahs? Tired of Tom Cruise hogging the screen?
Review
Women Talking is clever for about five minutes, Heidi Atkins argues